Music Innovation x Hit The City 2026
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Step into the future with our Music Innovation program, where creativity meets cutting-edge technology. Immerse yourself into the world of music and tech with some innovative performances and talks.
Innovative ideas, new sounds and groundbreaking experiences
Performances by Effenaar Labs Hybrid Music Vibes graduates.
The Hybrid Music Vibes program offers artists the opportunity to discover how new technologies can contribute to their artistry. Hybrid Music Vibes is an initiative of Effenaar Lab in collaboration with Rockacademie Tilburg, Thunderboom Records, Bureau Moeilijke Dingen, Studio Wotto and is supported by Cultuurloket DigitALL.
ALTERITY by Jacco Gardner
With ALTERITY the multi-instrumentalist, composer, producer and media archaeologist Jacco Gardner excavates a forgotten moment in the history of human-machine collaboration. The piece’s narration, written and researched by art historian María Pandiello, traces humanity’s recurring desire to build thinking companions; against it, sound, light, and image are synthesized live, each element responsive to the others, in a format closer to improvisation against a silent film, except the film is audio narration and the improvised response is audiovisual.
Music Innovation talks
Music Tech Netherlands: Will musicians still be needed in the tech and AI era in 10 years?
We can no longer ignore it; tech is changing the music landscape in an unprecedented way. From making music to ‘disrupting’ the business model for the industry. During this panel Alexander Beets (Fontys Rock Academy) discusses the developments with people from different disciplines (publishers, labels, CRMs, festivals, managers and makers). What changes can we expect, what threats are there for everyone, but also what opportunities does this new technological perspective offer?
This talk is meant for artists, industry professionals and music students. Registration in advance is needed due to limited capacity.
Followed networking drinks hosted by Music Tech Netherlands.
Date: Saturday, 29 August
Time: 14.00 – 16.00
Place: POPEI
Music Innovation is hosted by Effenaar Lab
In addition to a vibrant music venue, Effenaar offers space for innovation and high-tech experiments with Effenaar Lab. The rapid rise of various technologies has a major impact on the music industry, especially in the field of music experience. Together with artists, tech companies, schools and other educational institutions, Effenaar Lab is discovering the future of music experience.
Hit The City is part of De Opening 2026
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In 2026, Eindhoven is the host city of De Opening, a national celebration marking the start of the new cultural season. During the final weekend of August, artists, makers and audiences from across the Netherlands come together to celebrate culture in all its forms. Throughout the city, visitors can discover new worlds through music, theatre, dance, visual arts and more, as cultural venues present special programmes and activities.
During this cultural celebration, Hit The City presents its own festival programme, featuring 120 artists across 17 stages throughout Eindhoven. Together, Hit The City and De Opening create an inspiring weekend full of music, art and culture across the city. Staying true to its mission of making live music accessible to everyone, Hit The City festival invites visitors to enjoy their favourite artists and discover emerging talent!
Hit The City x Girls To The Front!
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Especially at a time when there is growing discussion about who feels welcome, safe and represented within the music scene, we believe it’s important not only to join the conversation, but also to create space.
That’s why Girls to the Front is part of Hit The City. Together with Girls To The Front founder and curator Bibi Bannink, we’re presenting a programme featuring FLINTA-fronted punk bands that not only express their own sound through their music, but also use their voices to speak out about the world around them.
We believe pop culture becomes stronger when more people are given the space to be visible, tell their stories and claim their place. Not as a trend or a temporary statement, but as a conscious choice for a music scene where talent, creativity and diverse perspectives have room to thrive.
That’s the future of pop culture Hit The City wants to contribute to.
The line up curated by Girls To The Front
Friday 28 August
Effenaar Grote Zaal
Lambrini Girls / Jools / Vals Alarm
Effenaar Kleine Zaal
Gender Reveal Atomic Bomb / Hondenfokker / L.A. Sagne / PISS / Snackbar / Girls To The Front DJ Set
Curator spotlight: Durum Records
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Bringing danceable sounds from all over the world to Hit The City
From the Turkish influences of Kit Sebastian and the Thai psychedelia of Yīn Yīn to the Mediterranean sounds of Parbleu: during Hit The City, music from all corners of the world finds its own place on the Durum Stage. For two days, Vrijstaat becomes the backdrop for artists who connect contemporary sounds with music deeply rooted in their origins. One thing ties it all together: it has to be music you can dance to.
Behind this carefully curated programme are Sander Harryvan and Timo Spijkers from Durum Records, a music label in the broadest sense of the term. A home for artists, audiences, and music that doesn’t fit into a single category.
Building a platform for global sounds
The idea for Durum Records started during a trip through Australia, where the pair discovered how deeply music can be connected to place, history and identity.
“That really inspired us,” Sander says. “We realised there was a growing audience in the Netherlands for artists who blend influences from different parts of the world into something entirely their own. We come from completely different professional backgrounds: Timo worked in healthcare, while I came from the marketing and tech world. But we looked at each other and knew we had to do something with this.”
One year later, what began as an idea quickly grew into something much bigger than a label.
“From day one, we wanted to build an ecosystem,” Timo explains. “Booking artists, releasing vinyl, organising festivals, telling artist stories. We wanted all of those pieces to strengthen each other.”
Instead of focusing on genres, Durum focuses on artists with a strong musical identity. Many draw inspiration from their heritage, but reinterpret those traditions in new and unexpected ways. “Our ambition is to build a name that represents a certain sound and identity, like Motown once did”.
“People often ask if it’s world music,” says Timo. “But all music comes from somewhere. We’re much more interested in artists who create something new by building on where they come from.”
A home for boundary breaking music
Looking at the Durum Records roster, you’ll find artists with widely different backgrounds and influences. Yet they all share one important thing: a strong connection to their roots. According to Sander and Timo, that is exactly where their strength lies.
“Because the music is so deeply connected to its roots, there’s often a much bigger story behind it. It’s about much more than just the music. It’s about the culture behind it, where the artists come from, and what has shaped them.”
Through interviews and conversations, the duo takes their audience into the world behind the songs. These ‘artist stories’ can be found on the Durum Records website as an extra layer to the live experiences.
The love for music and genuine passion are also reflected in the events the two have built in a short amount of time. Recently, they organized their own festival Falafelpop at Hall of Fame in Tilburg, and they will soon host their own stage for two days at Hit The City.
The reactions from the audience show exactly why they do what they do. Timo: “Recently, people came up to us at Best Kept Secret Festival asking if we already knew Falafelpop. They started pitching our own festival to us. That’s probably the ultimate compliment.”
They also heard from visitors that the festival reminded them of the Lima stage at Lowlands. Sander: “It showed that people experienced it as one big celebration. That’s exactly what we want to create again at Hit The City over two days.”
The Durum Stage at Hit The City
The collaboration with Hit The City quickly felt like a natural fit. “We got in touch with Robert [Head of Programming at Effenaar and Hit The City, ed.] and he wanted to give Durum’s music a place in an international city like Eindhoven”, says Sander.
That place became the brand-new Vrijstaat. Located in the heart of the city, this urban oasis perfectly matches the sunny sounds of the curated programme. With a skate ramp, outdoor terrace, and creative surprises around every corner, Vrijstaat is a space where anything can happen and everyone can feel at ease.
When curating the programme, Sander and Timo mainly focus on the flow of the day.
“You want DJs between the live acts to gradually build the vibe, so that from the moment you arrive, you don’t want to leave. On Friday you’d have to think: I’m coming back tomorrow. And next year as well,” says Timo. Sander adds: “We also try to find the right balance between local and international artists.”
Hit The City is known for introducing audiences to new artists while also bringing the favorites they already know. The Durum Stage fits that same approach. “Olkan & La Vipère Rouge is definitely an act we think people should discover. They’re a surprising duo from the south of France combining techno with French rap and Turkish saz, adding their own unique twist. One thing is certain: these guys know how to throw a party,” says Sander. “Fauna is also a really exciting emerging band from Sweden, who sometimes remind me a little of Goat. They’ll be playing with a huge band in Vrijstaat’s small skate hall, and I’m really curious to see how that will translate to the stage.”
And of course, there is one favourite that cannot be missing: “Headliner Yīn Yīn, a Dutch band that has developed international allure.”
You can visit the Durum Stage, curated by Durum Records, at Vrijstaat during Hit The City Festival on Friday 28 and Saturday 29 August. The programme includes Yīn Yīn, Fauna, Olkan & La Vipère Rouge, Parbleu, Kit Sebastian, and Chica Chica. For those who want to continue dancing afterwards, Durum Club takes over listening bar Otomoto with DJ sets from artists including Arabella Memdouh, Discos Horizontes, and Radikal Rupert.
Hit The City completes the line-up with 43 new acts, including Mula and Snapped Ankles
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The programme for Eindhoven’s free city festival was already packed with names such as Typhoon, Jonna Fraser, S10, DEADLETTER and Lambrini Girls. With the announcement of the final additions, the line-up is now complete at 121 artists and bands. Alongside headliner Mula at Ketelhuisplein, Snapped Ankles, Gender Reveal Atomic Bomb, Olkan & La Vipère Rouge, Julia Sabaté, LEMONSUCKR, Parbleu and Arabella Memdouh join the city-wide programme.
Hit The City is a collaboration between Effenaar, Friendly Fire and ASML, taking place on Friday 28 and Saturday 29 August 2026, preceded by an opening show on Thursday 27 August. With a large outdoor stage at Ketelhuisplein and venues spread across the city centre, the festival once again leaves room for both established names and artists you’ll soon be claiming you saw before they broke through.
Mula guarantees a mosh pit at Ketelhuisplein
With his unique blend of classic rap and electropop, Mula — now performing without the “B” — has been leaving a significant mark on the Dutch hip-hop scene for years. During his performance at Best Kept Secret, he turned the TWO stage into a swirling breakbeat frenzy, delivering a set packed with tracks from the acclaimed album Narcopop (2023) alongside older material, never giving the audience a moment to catch their breath. The performance was ranked fifth in the festival’s Top 25 by 3voor12 and named the best show of Friday. Anyone who witnessed it already knows what to expect: Ketelhuisplein is guaranteed to become one giant mosh pit.
From club basement to open-air stages: the festival's many faces
Anyone wandering through the city on Friday and Saturday will naturally be swept up in a diverse mix of music and vibes that showcase the festival in all its forms.
At Snapped Ankles’ show in Effenaar, it may briefly feel as though you’ve stumbled into a forest rave. Dressed in ghillie suits, the band will have audiences dancing to their signature blend of punk and electronica. Friday’s programme at Effenaar kicks off with Girls To The Front, curated by the collective of the same name led by Bibi Bannink, where live performances and activism seamlessly intertwine. Gender Reveal Atomic Bomb explodes punk and riot grrrl into creative chaos, while Hondenfokker tears through a sound that lands somewhere between rave and riot. Meanwhile, the dance floor will be fuelled by sets from the Girls To The Front DJs, Bandgurl666 and KaasFM.
In Dynamo’s basement, the lights dim for LEMONSUCKR, blending alt-rave with dance-punk and rock, hardcore outfit Inherited pushing the BPMs ever higher, and WASTE, effortlessly transforming the room into a sweaty collision of noise and dark post-punk. Room 8 hosts Club Commit, born from the freerunning community and serving as a meeting place for street culture collectives, creative talent and anyone gravitating towards the night. The late-night programme will be curated by DJ !KUEL & friends.
Outdoors, at the new Vrijstaat location, Durum Records curates its own stage filled with summer sounds from around the globe. Alongside previously announced acts such as Yīn Yīn and Fauna, the line-up is now completed by the tropical grooves of Chica Chica, the Mediterranean techno of Olkan & La Vipère Rouge, and the eight-piece collective Parbleu, who fuse Caribbean dub, Latin rhythms and Afrobeat into a sun-soaked celebration. DJ Baba Ganouche will soundtrack Saturday with a groove-filled musical journey, while cosmic funk duo Kagami continue the evening at listening bar Otomoto with a DJ set following their Vrijstaat performance.
The night carries on at Otomoto with DJ sets ranging from the genre-defying French-inspired sounds of Arabella Memdouh to the pop gems of Kit Sebastian and the tropical dancefloor fillers of the Trackvogels DJ set. Discos Horizontes blends cumbia, disco-folk and reggae into a sound that feels as though it has travelled in from every corner of the world.
At Café Prins Hendrik, Kourosh mixes rap and electronics, while Katie Bitchcoin christens cryptopunk as a genre of its own, somewhere between techno, electroclash and punk.
On Stratumseind, K.Zia delivers a raw and story-driven performance filled with soul and alternative R&B at Stage Music Café. At Altstadt, fans of Sharon Van Etten and Sam Fender will find a kindred spirit in Ellur, whose heartfelt indie anthems capture the experience of growing up. Dublin collective Sell Everything combines grunge, jazz and R&B into an energetic and compelling live show.
In collaboration with the Rockacademie, POPEI presents three emerging acts: Säm Wilder, blending neo-soul, R&B and pop; Lucy Fabienne, crafting country-pop for wandering hearts; and Owen Bryce, whose dreamy indie folk is steeped in nostalgia and emotion. Also featured are the melodic pop of Spanish-Dutch singer Julia Sabaté, the poetic electronic pop of puntjudith and the alternative pop of Yrsa.
Music Innovation: the future of music experience
Just as it did last year, Hit The City explores the future of music experiences. At MU, multi-instrumentalist, composer and producer Jacco Gardner presents ALTERITY, an audiovisual performance installation that combines forgotten technology from the early digital revolution with modern AI. Through generative music, live visuals and spatial audio, Gardner breathes new life into intelligent instruments from the 1980s.
At POPEI, Ramses3000 presents a live performance in which music and visuals are directly connected through a newly developed instrument created in collaboration with Studio Wotto and Effenaar Lab. The work stems from Thalamus, a project in which he explored how music can support focus and calm through the lens of his own experiences with ADHD. This personal journey is translated into a sound that combines classical influences with synthesisers and electronic textures. During the performance, analogue liquid-light techniques from the 1970s merge with digital visuals, allowing image and sound to flow together in real time as one continuous live experience.
Where Eindhoven comes together
As summer slowly draws to a close, Hit The City offers one more reason to celebrate Eindhoven together: three days, more than 100 artists and seventeen venues spread throughout the city. With its accessible and wide-ranging programme, the festival contributes to the region’s cultural landscape and once again turns Eindhoven into a central meeting place for music lovers and curious explorers alike.
The 43 additions:
Mula – Snapped Ankles – ALTERITY by Jacco Gardner – Altstadt DJ team – Arabella
Memdouh (DJ set) – Bandgurl666 – Chica Chica – Club Alt with DJ Sharon and DJ Bob
Discos Horizontes – DJ !KUEL & friends – DJ Baba Ganouche – DJ Iris – DJ Quick Fade – DJ
Sjaak – Dynamo DJ team – Eefke Boelhouwers – Effenaar DJ team – Ellur – Gender Reveal
Atomic Bomb – Girls To The Front DJ set – Hit The City DJ team – Hondenfokker – Inherited
Julia Sabaté – KaasFM – Kagami – Kagami DJ set – Katie Bitchcoin – Kit Sebastian DJ set
Kourosh – K.ZIA – LEMONSUCKR – Lucy Fabienne – Olkan & La Vipère Rouge – Owen Bryce
– Parbleu – puntjudith – Radikal Rupert (Trackvogels DJ set) – Ramses 3000 – Sell Everything
– Säm Wilder – Waste – Yrsa
The whole line-up of Hit The City 2026:
DEADLETTER – High Vis – Jonna Fraser – Kevin – Lambrini Girls – Mula – S10 – Typhoon
Elmer – Jack Shore – jet van der steen – Josylvio – MICHA – Slow Crush – Snapped Ankles
TEN56. – Yīn Yīn – Alice Olsthoorn – ALTERITY by Jacco Gardner – Arabella Memdouh
Automatic – Badminton – badtime – Bandit – Blair Davie – BLOED – Brik Tu-Tok – Ceebo
Charlotte OC – Chica Chica – Club Brat – Coalmine Canary – Croíthe – CROUCH – Def
Devon Rexi – Discos Horizontes – DITTER – DJ Baba Ganouche – DJ !KUEL & friends – Eefke
Boelhouwers – Ellur – Fauna – FIEP – Fit – Fellatio – Frans Kalf – Frozemode – Future Husband
– Gala Dragot – Gallamesh – Gender Reveal Atomic Bomb – Girls To The Front DJ set
Glazyhaze – Greg Freeman – Harpy – Hex Girlfriend – Honey I’m Home – Hondenfokker
HOOFS – Inherited – JACOTÉNE – Janet Livv – Jesse Hoefnagels – jev. – Jools – Julia Sabaté
– Kagami – Kagami DJ set – Katie Bitchcoin – Kirara (live AV) – Kit Sebastian – Kit Sebastian DJ set
– Kourosh – K.Zia – L.A. Sagne – LeBlanc – LEMONSUCKR – Lintworm – Lucy Fabienne – MAYTE
Mek’Dr’Dr – Meryl Streek – Michael Ekow & May – Mouth Ulcers – New Candys – Nyarko
Olkan & La Vipère Rouge – Owen Bryce – Parbleu – PISS – Pixie McCann
– puntjudith – Pyo – Ramses3000 – Säm Wilder – Sell Everything – Serve – Silverlake
Snackbar – Space Age DJ Collective – Supermarkt – TJE – Trackvogels DJ set
UITZENDBUREAU – Vals Alarm – WASTE – Wijf – Wrong Man – Yazal – Yrsa
DJ support sets: Altstadt DJ team – Bandgurl666 – Club Alt with DJ Sharon and DJ Bob –
Dynamo DJ team – Effenaar DJ team – DJ Iris – DJ Quick Fade – DJ Sjaak – Hit The City DJ
team – KaasFM
This was Hit The City 2025!
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This was Hit The City 2025! 41,500 visitors, 85+ live acts, and outdoor and indoor stages with a program running from day to night. You danced, sang, moshed, cheered, and made it one for the books. Thank you for joining us, and let’s do it again 27–30 August 2026!
𝗖𝗿𝗲𝗱𝗶𝘁𝘀
Music: GLINTSAL, FAISAL, Glints – ACID
Video: Studio Lafo
Line-up
Broederliefde / Pommelien Thijs / Ronnie Flex & The Fam / Bente / BLANKS / Chloe Slater / Circa Waves / DITZ / Fresku / Gotu Jim / Hiigo / KiLLOWEN / Maan / Matilda Mann / Psychedelic Porn Crumpets / Sef / SUPERSTRINGS / The Chisel / Tramhaus / Aili / Allman Brown / Angry Blackmen / Babymorocco / Brunzyn / BUG / Buunshin / CaitC / Casey MQ / C’est Qui / Charlie Avalon / Cliffords / Combi Magnetron / Curling / Dear Omen / Death Sells / De Toegift / Dylan van Dael / EDLP / Emma Hessels / Eosine / GLINTSAL / Grote Geelstaart / High Hi / Ider / Jawnino / Jerub / Joya Mooi / Julia Adriana / Kaat van Stralen / Karnabahar / KEG / Lézard / Little Moon / Luca St / Lusaint / LYVIA / Niels Orens / Nienke Leone / NOAH / Nymfo / Octave Lissner /Oykie / Parker Fans / Philine / Pol / Sad Banana / Slew / Slow Fiction / SØWT / Teenage Dads / TEUN / Torn From Oblivion / Tukan / Unpeople / Vampire Boyfriend / Violent Magic Orchestra / Waterschade
Hit The City Music Innovation:
OK AI by DOMNIQ x WERC – Passage of Time by Anneke van Giersbergen – Lost Like Alice by CHARLOT – Insomnia by WITT – Resonance of the Self by Mirusi Mergina – Samen alleen in het Clubhuis by YRSA – Tussen eb en vloed by AURA – PUNTJUDITH – Effenaar Living History by Effenaar Lab x 4DR Studios
Did you visit Hit The City 2025? Share your experience with us!
Did you visit Hit The City 2025? Share your experience with us!
Did you attend Hit The City last weekend? We’d love to hear your thoughts! Share your experience with us for a chance to win 2 tickets to a show of your choice at Effenaar.
Our visitor survey is open until Sunday, September 7. Your opinion really matters to us. Thank you for being part of it, and we hope to see you again next year!
Program update: Saturday August 30
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We have a few important program updates regarding tonight’s lineup: unfortunately LULU. had to cancel their performance at Hit The City. Instead, High Hi will now play at Dynamo Main, and we’re happy to announce that Nienke Leone is added to the program at Café Wilhelmina.
> Nienke Leone turns her fears into lyrics, mixing raw honesty with hooks that stick. With influences like Typhoon and Julia Michaels, she delivers energetic pop songs that are both personal and unapologetically catchy.
Hit The City launches a first: create your personal timetable with Spotify
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Eindhoven is gearing up for Hit The City 2025: from August 28 to 31, the free music festival will take over the city with more than 85 live acts across various venues. From big names like Ronnie Flex & The Fam, Broederliefde, Maan, and Pommelien Thijs to rising talents such as Chloe Slater, Angry Blackmen, and Kaat van Stralen. With so many artists to choose from, Hit The City is introducing a smart new tool to help visitors map out their personal festival route: the Personal Timetable.
How it works
The Personal Timetable connects your Spotify profile to the festival program and uses smart data analysis to make creating your personal route easier. At a glance, you’ll see which acts best match your listening history and preferences. Each recommendation shows how strong the match is and which artists or genres it’s based on.
Emiel Haring, Head of Marketing at Hit The City, explains:
“Hit The City is all about discovery. The line-up features more than 85 acts, many of them promising new artists. Reading up and listening in is fun, but also very time-consuming. The Personal Timetable makes it easy: with just a few clicks, you’ll see which artists best fit your taste, how strong the match is, and why these particular acts were selected for you.”
Curated by the team
Every act in the line-up has been carefully reviewed by the festival’s programmers. For each artist, they’ve identified related acts, genres, and subgenres. This ensures recommendations that not only align with your personal taste, but also with the festival’s vision and musical identity.
Connection and discovery
Ahead of the festival, you can share your personal timetable with friends and compare your matches. This way, the excitement starts before the first show, sparking new connections and surprising discoveries.
Emiel Haring: “As far as we know, we’re the first festival in the world to develop and offer such a tool to visitors. We believe this is a fun and valuable addition to the festival experience.”
'Without Stroomhuis, there would be no Tramhaus'
'Without Stroomhuis, there would be no Tramhaus'
Author: Tijs Heesterbeek
The Friday in Effenaar at Hit The City revolves around Stroomhuis. The iconic squat left an indelible mark on Eindhoven’s underground scene – and far beyond – in just two decades. Not only through gritty gigs and dark dance nights, but also as a free haven for artists and musicians. The building was tragically destroyed by fire, but the drive to keep Eindhoven’s DIY culture alive still burns strong among its former residents.
The term ‘residents’ is meant in the broadest sense here. Rosalie Braamkolk actually lived in the building and had her studio there. A Design Academy graduate, she built a scale model of Stroomhuis that has been touring Eindhoven, already on display at Stadhuis and the Van Abbemuseum. Eva Raaijmakers, who graduated from the art academy in Den Bosch, may not have slept there, but spent much of her time working at Stroomhuis. Her concept Folk Punk Take Over was even born there. With a manifesto in hand, a new foundation in the works, and plenty of plans for the future, the building may be gone, but the DIY spirit is very much alive.
"We have to keep going"
It was striking. Just hours after Eindhoven woke up to the news that Stroomhuis had gone up in flames, its social media accounts posted a bold statement: “WE HAVE TO KEEP GOING,” referring to a band night that was swiftly moved to Burgers that same Saturday. These words suddenly became the slogan for all activities that sprang up around Stroomhuis – from selling screen-printed posters at shows to an art auction during Dutch Design Week. The people behind Stroomhuis didn’t stay in a victim role for long.
Rosalie recalls the sudden surge of energy after the fire: “We switched on immediately. The button flipped, and we just started running. Someone had to talk to the press, the fundraiser had to be set up, the money coming in needed to be distributed properly. So much was coming at us, and after a few months you suddenly look around and think: ‘Where even are we? What are we actually doing? Who are we? What does all of this mean?’”
Eva adds: “I remember at some point we looked at each other and thought: maybe we’re just running so hard so we don’t have to look back. But at the same time, I felt: this simply has to be done. Someone has to do it.”
Rosalie, laughing: “Maybe it was a bit of trauma processing, yeah. But with all the support and help, you simply can’t sit back and do nothing. You suddenly feel this responsibility. Clearly, people found Stroomhuis really important – you can’t just shrug and say: ‘well, that’s too bad… bye.’”
Support poured in from expected and unexpected corners. Across the country – and even in England – fundraisers were organized to help Stroomhuis. Rotterdam band Tramhaus, who also play Friday at Hit The City, was among those who stepped in. Guitarist Micha Zaat remembers Stroomhuis fondly:
“My first memory of Stroomhuis was with my old band Pig Frenzy, maybe seven years ago. To me, Stroomhuis always teetered between total chaos and an incredibly well-oiled machine, powered by people who poured their hearts into it. In the end, it really was the latter: the people who made it what it was. That will never be forgotten.”
The band acted quickly: “When we heard the news, we were on tour. Everyone was shaken and stunned. You want to give people space to grieve, but soon the idea came up to organize a benefit night in Rotterdam. That’s really the best thing you can do: direct action.”
Nieuw Eindhovens Peil
After the fire, help and shelter quickly arrived. Rosalie and Eva both got studios at TAC, rent-free for the first six months. Bands practiced at POPEI, De Oefenruimte, or Plan B, and the recording studio was relocated to people’s homes, including that of Koen Verhees from SØWT. Rosalie chuckles: “We were already very DIY at Stroomhuis, but now we had to get even more creative to make things work.”
That DIY drive has since taken shape as a foundation. With Nieuw Eindhovens Peil (NEP), the collective behind Stroomhuis is building a platform for non-mainstream events, aiming to let Eindhoven’s alternative culture thrive. The foundation has already organized several nights, such as Barnyard Boogie at Dynamo, Folk Punk Take Over at Muziekgebouw, and band nights at Burgers. But they want more, says Rosalie: “NEP itself has to radiate the DIY spirit. We’ve got knowledge and networks we can share. Not just for organizing events, but also providing spaces, setting up educational programs, helping with grant applications or budget management. If someone comes to us saying, ‘I want to organize this or that,’ we can help in every way possible.” NEP even has a manifesto, distributed as flyers at their events.
A new location?
For now, the foundation is still run from TAC studios and someone’s home address, but will they eventually want a space of their own again? Rosalie:
“There was an article recently saying we might move to Microstad. We’re still in talks and it’s an interesting spot, but not an easy one. They’ve got cool ideas, but do we really fit in there? With their rules and the rent? Are we even ready as a group? I don’t know yet.”
Eva also has doubts: “The skills we developed at Stroomhuis don’t all apply the same way when you don’t have a building. You have to relearn how to function as a group outside of that. We’ve managed that pretty well. But the structure inevitably changes once you have a building again, with new rules and a new organization.”
Still, the desire for a new place is clear. Rosalie even graduated with a project envisioning a modular space for DIY culture, with shipping containers as the key building blocks: “I researched how such a space could function. New construction automatically comes with high start-up costs, foundations, concrete, regulations – all barriers to accessibility. With containers, you avoid that. The budget is much lower, they’re flexible, and everyone can shape them themselves. Many cities already have container complexes – Rotterdam, Amsterdam, Berlin. A container village on the old Stroomhuis site would be perfect. It’s close to Knoop XL, and that area won’t be redeveloped for another 15 years. We could apply for a temporary building permit, which coincidentally maxes out at 15 years, so it all fits neatly. And once construction starts, we can just move the containers elsewhere – no foundations to worry about.”
That underground venues like Stroomhuis matter to bands like Tramhaus is clear, says Micha: “These kinds of places are indispensable. Without them, there’d be no Tramhaus. Our first steps were in spaces like that. And the DIY spirit of venues like Stroomhuis still runs through our music. You do it together, you’re part of a collective – that’s the simple credo.”
And about Eindhoven’s underground scene, he adds:
“We’ve always admired the scene there. Especially the Stroomhuis crew, who are still around, seem like a tight-knit group of friends. They support and challenge each other. SØWT, for example, is one of the best bands in the Netherlands if you ask me. And really lovely people too.”
Passing it on
Rosalie will present her research during Dutch Design Week’s Graduation Show. But there’s more. Along with the container village model, the foundation is launching a new zine. Rosalie: “It’s kind of a DIY tutorial with tips: how do you organize your own concert or rave? How do you set up your own festival, with Skinfest in Mierlo as an example? Someone from Rararadio gives advice on starting your own radio station. It should become a bundle we can hand to young people who want to organize cool things in the city. That’s also where NEP comes in – we want to create and document things to pass on to the next generation.”
Eva underlines the importance of passing on that knowledge: “In the end, you want to create a place for the next generation to develop as freely as we did at Stroomhuis. We learned a lot from the older 2B generation (2B was a squat behind today’s Effenaar with studios and rehearsal spaces), and you want to pass that on again – in a safe space where you can experiment. And sometimes fail.”
That things should stay a bit raw and unregulated is obvious to her: “It doesn’t all need to be safe. You need to fall in order to learn. Like in the skate scene – every fall teaches you something.” And then, laughing: “I can’t skate because I never dared to fall. But in other areas, I’ve learned how.”
An ode to Stroomhuis at Hit The City: the line-up
Effenaar (Main Hall): SØWT / The Chisel / Tramhaus
Effenaar (Small Hall): Lézard / Slow Fiction / KEG / DITZ / Stroomhuis DJ’s / Grote Geelstaart